The Monastère royal de Brou stands on the eastern edge of Bourg-en-Bresse, in the Ain department of eastern France. It was commissioned by Margaret of Austria, daughter of the Holy Roman Emperor Maximilian I and regent of the Habsburg Netherlands, as a dynastic monument and burial place for her husband, Philibert II, Duke of Savoy, who died young in 1504. Building work ran at extraordinary speed for the period — from 1506 to 1532 — and produced one of the last and most lavish flowerings of Flamboyant Gothic architecture in France, with Renaissance touches already visible in its detail.
At the heart of the church stand three tombs carved by the sculptor Conrad Meit: Philibert II's, in white Carrara marble with ten sibyls beneath; Margaret of Austria's own, the largest of the three, pairing a marble effigy in state dress with a younger alabaster figure below; and that of Margaret of Bourbon, Philibert's mother, in black marble with a greyhound at her feet. Around them, 74 oak choir stalls carved in 1532 are worked with an astonishing density of figures, foliage and grotesques — one of the richest surviving stall ensembles in France. Above it all rises the church's roof, laid in patterned, glazed polychrome tiles in the Burgundian style.
Beyond the church, the monastery's three cloisters and former conventual buildings now house Bourg-en-Bresse's municipal fine-arts museum, with religious sculpture from the 13th to 17th centuries and paintings spanning the 16th to 20th. Managed today by the Centre des monuments nationaux, the site is protected as a monument historique. We handle the ticketing so your date-specific admission is confirmed before you arrive — one less thing to plan once you're in Bourg-en-Bresse.